Announcing a New York City Premiere Production
GEORGE KAPLAN by Frédéric Sonntag
Translated by Samuel Buggeln
Directed by Max Hunter
Featuring:
Christina Toth* ('Orange is the New Black' on Netflix; Bridge Production Group Resident Artist),
Elisha Lawson* ('The Get Down' on Netflix, 'Blue Bloods' on CBS),
Max Samuels* (Angry Young Man with Urban Stages), Campbell Symes* (And Who Will Follow Rachel? at
The Tank), and Michael DeFilippis (Stupid Fucking Bird with To Be Theatre Company).
George Kaplan will feature lighting design by Conor Mulligan, costume design by Avery Reed, scenic and prop design by Thomas Jenkeleit, multimedia and sound design by Andrew Freeburg, assistant direction and dramaturgy by Dante de Blasio, and stage management by Melanie Ashby.
*Appearing courtesy of the Actors’ Equity Association.
November 15th - December 3rd, 2022
New Ohio Theatre (154 Christopher St., New York, NY 10014)
Directed by Max Hunter
Featuring:
Christina Toth* ('Orange is the New Black' on Netflix; Bridge Production Group Resident Artist),
Elisha Lawson* ('The Get Down' on Netflix, 'Blue Bloods' on CBS),
Max Samuels* (Angry Young Man with Urban Stages), Campbell Symes* (And Who Will Follow Rachel? at
The Tank), and Michael DeFilippis (Stupid Fucking Bird with To Be Theatre Company).
George Kaplan will feature lighting design by Conor Mulligan, costume design by Avery Reed, scenic and prop design by Thomas Jenkeleit, multimedia and sound design by Andrew Freeburg, assistant direction and dramaturgy by Dante de Blasio, and stage management by Melanie Ashby.
*Appearing courtesy of the Actors’ Equity Association.
November 15th - December 3rd, 2022
New Ohio Theatre (154 Christopher St., New York, NY 10014)
First produced in the English language by the Cherry Artists' Collective, Ithaca, NY, Samuel Buggeln, Artistic Director.
George Kaplan contains simulated gun violence and non-firing replica weapons.
George Kaplan contains simulated gun violence and non-firing replica weapons.
[Title of Show]
music and lyrics by Jeff Bowen / book by Hunter Bell
directed by Max Hunter
I AM YOUR MASSEUSE (five short digressions)
from Pulitzer-winner John Patrick Shanley (Doubt)
directed by Claire Edmonds
A Golden City - New Work Staged Reading
from playwright Lyle Kessler (Orphans)
New Work Development from The Assembly Theater Project
A portion of all new work proceeds will go directly towards The Actors Fund.
The Bridge Residency will partner with Broadway for Arts Education in providing
working internships to local young artists.
SEE YOU (United States Premiere)
Run concluded September 21st, 2019 / New Ohio Theatre
ZOO Venues, Edinburgh 2019, 2020 - COVID Postponement
PRAISE FOR SEE YOU:
“Sleek … You won’t want to reach for your smartphone for a few hours after seeing this one.”
- The New York Times
“If Sartre were to write a play in our age of social media, he might end up somewhere in the realm of the Bridge Production Group’s fascinating “See You.” The conceit of the play, that our online façades mask despair, insecurity, and, worse, nothingness, is clear from the start, and the play’s breathless delivery of its cynical raison d’être is as unrelenting as a Twitter feed, losing track of anything human.” - The New Yorker
“What begins as an egocentric free-for-all eventually dovetails into how a deliberate data breach among friends (with benefits) exposes secrets, truths and consequences.” - BroadwayWorld
“I was enraptured, feeling the theatrical ground beneath me shift as a result of the explosion of confusion and dissonance and crossing of paths of these five friends navigating in life and online. You must run to SEE YOU, for it already sees through us." - Onstage Blog
“Sleek … You won’t want to reach for your smartphone for a few hours after seeing this one.”
- The New York Times
“If Sartre were to write a play in our age of social media, he might end up somewhere in the realm of the Bridge Production Group’s fascinating “See You.” The conceit of the play, that our online façades mask despair, insecurity, and, worse, nothingness, is clear from the start, and the play’s breathless delivery of its cynical raison d’être is as unrelenting as a Twitter feed, losing track of anything human.” - The New Yorker
“What begins as an egocentric free-for-all eventually dovetails into how a deliberate data breach among friends (with benefits) exposes secrets, truths and consequences.” - BroadwayWorld
“I was enraptured, feeling the theatrical ground beneath me shift as a result of the explosion of confusion and dissonance and crossing of paths of these five friends navigating in life and online. You must run to SEE YOU, for it already sees through us." - Onstage Blog
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